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Sechaba
Sechaba
Visual Arts · Painting   |   Design & Crafts · Fashion & Textile   |   Music · Folk & Traditional   |   Film & Video · Documentary

About

Sechaba Nyenye* is a Mosotho contemporary visual artist born in Ficksburg, based in Lesotho, and the visionary behind *HOHA*.

HOHA — meaning to breathe, to behold — is more than a style. It is a philosophy. Through fl…

What Sechaba dreams of

Exhibit at Artbesel in 2027
Exhibit at Kunsthalle Zurich 2027
Exhibit at Miami art fair

Projects & Releases

IN PROGRESS Mats'ekha Art Choir
film · 2026

Exposing Sesotho indigenous music & creating a captive audience in international art galleries

Honest Beez View
Showroom (11/25)
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*Title*: O bona moo o shebileng
*Artist*: Sechaba Nyenye
*Series*: Badimo

Tittle - O bona moo o shebileng

This work,interrogates the politics of the gaze through the HOHA flat mask language. The work positions the ancestral mask as active witness rather than passive subject, reversing the traditional viewer-artwork dynamic. Drawing from Basotho philosophy where seeing is an intentional and spiritual act, the painting explores surveillance, self-awareness, and ancestral accountability. By flattening facial features to a singular, piercing gaze, the artist creates a mirror that implicates the viewer — asking not what is seen, but where and why one chooses to look.
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Title:* Matla a Frequency
*Artist:* Sechaba Nyenye
*Series:* Badimo 
*Year:* 2024/2025

_Matla a Frequency_ translates to "The Power of Frequency".

In Basotho cosmology, power is not force — it is resonance. Before words, Badimo communicated through vibration: drum, chant, prayer, silence.

Through the HOHA flat mask, Sechaba Nyenye presents the face as an antenna. Flattened to remove ego, the mask becomes a receiver and transmitter. The eye 👁️ holds a frequency that cannot be seen but can be felt.

This work asks the viewer: what frequency are you carrying? What did your ancestors tune into you?

It continues HOHA’s exploration of invisible inheritance, positioning ancestral energy as contemporary power.


*Matla a Frequency* — The Power of Frequency 👁️

HOHA as antenna.
The mask is tuned to receive what the eye cannot see.
Not all power is loud. Some power is vibration
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*'Me' Wa Sarah*

_'Me' Wa Sarah_ translates to "Mother of Sarah" — but in Sesotho, _'Me'_ is more than mother. It is reverence, origin, holder of lineage.

Through the HOHA flat mask, this work honors maternal power as the first frequency. Before we knew Badimo, we knew _'Me'_. She is the first temple, the first teacher, the first protection.

The flattened face is not erasure — it is honor. Removing the individual to reveal the archetype. Every mother. The mother in all of us.

The eye 👁️ here is soft but unblinking. A mother's gaze that sees before you speak, that watches long after you leave.

This painting is a prayer for mothers who carry worlds without being seen, and a thanksgiving for _'Me' Wa Sarah_ — vessel of life, keeper of continuity.
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CREATOR ID
A·0045
Member since 2026-08

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Indabeez · Switzerland